Thursday, June 21, 2007

Morocco's Hip Hop Revolution

Via Asharq Al-Awsat (London Based, Saudi Edited) -

Rabat, Asharq Al-Awsat- Audiences scream and shout in frenzied anticipation for Morocco’s rap bands to perform. Moroccan rap artists are taking the local music scene by storm in what can only be described as a bona fide phenomenon reflecting the voices of the country's younger generation.

Held annually in Rabat, the ‘Mawâzine Rythmes du Monde’ festival dedicates a main section of its artistic program to provide a platform for such artists and groups to perform their music, which it dubs the ‘Mawazine generation’. Musical genres include rap, rock, hip-hop and reggae. Among the names of some of these bands are ‘Zanka Flow’ (Street Flow), ‘H-Kayne’, ‘Fnaïre’ and ‘Kanka’. These bands depend on sharp performances that address their listeners in an immediate and direct manner.

But what is the secret behind the popularity of these groups that draw twenty-something year olds? They perform very simple musical compositions and most of the performers lack musical background. The only redeeming quality to their music is their love for this Western type of music, which they imitate or ‘Moroccan-ize’ by integrating popular Moroccan rhythms such as Gnawa [also Gnaoua].

But is it not only the music that reflects the Western influence as their choice of clothes, loose cotton t-shirts printed with certain phrases and baggy jeans worn low on their hips, is also a sign of Western influence . They emulate American artists especially, and often wear sports caps, gold and silver chains and even earrings.

It’s true that they make up a phenomenon that is worthy of close examination, not simply because of the concerns they address in colloquial Moroccan Arabic, but particularly because of the influence they have on Moroccan youth. But it’s not only their demeanor and movement that attracts attention and lends an impression of freedom and challenge; the words of their songs have come to constitute a reference for their thoughts and experiences. Through their music they are able to voice their positions and what they are against or dissatisfied with. They use phrases such as, “Be a gentleman or leave,” and at times express absolute pessimism declaring “no present, no future and no past.”

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